How can dance efficiency be sustainable?

Phrases by Hannah Draper.

The black and crimson riso-printed posters for Burnt Out are placing – Penny Chivas’ hand clasped over her mouth with the opposite arm stretched overhead – a name for assist, a sign of hazard, and a gesture of safety from inhaling noxious air. Created in collaboration with photographer Brian Hartley, the hand strategy of riso-printing created a special end in every print.

This tailor-made method bleeds via into the broader plan for the 2023 sustainable Scottish tour and ethos of Burnt Out. Created in 2021, Burnt Out is a solo dance theatre piece made and carried out by Penny Chivas, instigated after the devastating Australian wildfires in 2019-2020. Three years on, Penny is touring the present in Scotland after a profitable Fringe run final August. Earlier than this, the work will be performed at Dance Metropolis in Newcastle after the organisation’s continued help of the work via residences and rehearsal area and a work-in-progress sharing.

The tour has been organised with Katy Dye as Sustainability Advisor and with Sheena Miller from the Rural Touring Company. Operating since 2017, the organisation helps firms in Scotland tour work to rural areas in Scotland. The organisation shaped to fill a necessity to assist artists carry work to rural areas and convey prime quality touring work to underserved areas.

Burnt Out would be the first manufacturing to tour on public transport solely, bringing with it a bunch of recent logistical issues for the staff. Penny will journey by practice and ferry throughout rural Scotland, together with the Orkney islands, supported by the Inventive Scotland Touring Funding for Theatre and Dance. I spoke to Penny and the manufacturing staff about organising Burnt Out’s sustainable Scottish tour later this yr.

Area and Place

Sheena spoke with me in regards to the frequent false impression of needing completely different performances for various areas, and the concept of rural versus city audiences. She says that “something you’ll be able to carry out in a central belt you’ll be able to carry out in a rural space” whereas emphasising the sturdy reference to stay efficiency in rural Scotland given the lengthy historical past of stay music traditions. What’s completely different, Sheena tells me, is the way you join with rural audiences in comparison with within the metropolis, and the extra issues.

Whereas the touring staff can be travelling on public transport, audiences may even be inspired to journey on this approach. In rural areas this can be tougher with components just like the lengthy, darkish nights in Scotland in November, which means some performances can be within the afternoon as a substitute of the night, whereas buffer time has been added in round ferry journeys to permit for the not unlikely likelihood of poor climate circumstances.

We’ve labored in a approach that challenges the affect of consumerism…

Inside this planning, Sustainability Advisor Katy tells me that, “greener methods of working can exclude folks of various skills with out pondering of the wants of all of the people collaborating. In order a staff we have now tried to consider find out how to work sustainably in an inclusive approach.” Working with the Theatre Inexperienced E book, Julie’s Bicycle, and contemplating The Equity for a Green New Deal manifesto has helped the staff craft a holistic method to the tour, whereas working with venues to assist them meet these sustainability objectives.

Whereas relationship to put has been vital in contemplating tour places, how folks relate to their environments can be massively related for the way Burnt Out’s material of Australian coal has grow to be a direct mirror to a narrative and dialogue about Scottish oil. After final summer time’s file temperatures in areas throughout the UK, and the growing have to reckon with our nations’ fossil gasoline histories and persevering with industries, plainly Burnt Out’s message is turning into extra, not much less, related over time.


Sustainability calls for the necessity for time – one thing which feels counter-intuitive within the race in opposition to the quickening adjustments in our local weather. Time for making choices that inform longer-working processes. Making pondering sustainably transcend a ‘tick the field’ train. 

Katy highlights: “it has been attention-grabbing to consider sustainability as one other inventive alternative. How can the ethos of working sustainably improve the content material/aesthetic and viewers expertise of the efficiency? On this approach working sustainably doesn’t really feel like a limitation, however opens up a brand new and refreshing approach of working which challenges the affect of our disposable/throw away tradition of consumerism and extra.”

Whereas Burnt Out was initially made as a black field efficiency, it can now be carried out in a spread of venues together with village halls, solely utilizing the technical gear already in these venues. Though this may be argued as a limitation, it really challenges concepts of how theatre can and ought to be introduced and seen.

Penny describes the necessity for folks to have an opportunity to make use of and utilise the time we have now now to think about alternative ways of residing and find out how to deal with this disaster in our communities earlier than we’re in a state of affairs of getting to reply, quite than replicate.


‘The place is the typical individual’s emotional feeling across the local weather disaster?’

This query is a guiding thought for Penny via this tour. Pre-show workshops and post-show discussions have been designed to interact with native folks’s tales and the way communities are experiencing the local weather disaster, akin to visible artists and native nature stroll leaders. The workshops will give attention to inclusive motion practices, breathwork and methods of coping with local weather nervousness. The tour mannequin prioritises an engaged and embodied interplay with audiences, enabling an trade of concepts and dealing strategies to discover how individuals are working and exploring these points, each via direct motion and methods of experiencing pleasure and delight in nature.

Sustainability is a large buzz phrase proper now, with many claims to it falling flat upon inspection. Nonetheless, the Burnt Out staff is dedicated to interrogating what sustainability means when it comes to broader conversations round how the work is skilled. By permitting audiences the area and time to expertise and discover feelings of upset and anger across the local weather disaster earlier than, after, and through the present there may be an effort to lengthen and guarantee a mutual significant engagement between the efficiency staff and communities, working in direction of what Katy recognized as “one unified voice for our actions to be efficient.”

Katy hopes that these practices grow to be normalised: “I’d prefer to see much less expectations placed on people to make inexperienced choices which can financially punish them/put quite a lot of effort on them. We’d like legal guidelines to be made that make it an incentive for us as makers/residents to observe our work sustainably and stay extra sustainable lives.

Picture by Lorna Sim.

This tour of Burnt Out may and ought to be a mannequin for different small touring firms, becoming a member of a rising variety of artists in Scotland akin to Hazel Darwin Clements’ Maya and the Whale (toured on two bikes with panniers) which might be committing to new methods of delivering theatre and proving there’s a completely different approach of doing issues which must occur now and for the longer term.

Burnt Out is being carried out at Dance Metropolis, Newcastle on 16 June 2023. E book here. Dates for the Scottish tour tbc.